Murmurings….

Well it’s been a little quiet recently on the Workers front, but momentum is building now towards our 2016 collaborative project with Ensemble Krock. In the meantime, one or two of us are up to some pretty epic activities for charity.

Pianist Edward Pick is about to cycle from Lands End to John O’ Groats (with his piano literally trailing behind him!) and our composer in residence Seán Clancy is walking from Birmingham to London. You can sponsor them by clicking on their respective links.

Good luck guys!

 

 

Seán Clancy third WUE Composer-in-Association

We are chuffed that Irish composer Seán Clancy will be our Composer-in-Association 2015. He follows in the footsteps of Matthew Kaner (2013) and Ryan Latimer (2014). We are delighted to be working with Seán and Swedish guitar quartet Krock on a project, hopefully coming to a venue near you in the Autumn! More news on this soon!

 

On & Off Warehouse Photos

We can’t quite believe over a month has past since our ‘ON & OFF TOUR 2015’. Thanks to everyone that came to hear us and to the fantastic composers we had the chance to work with on the project. Recordings and video are coming soon but we wanted to share just four of the many fantastic photos Markus Kinch took in the rehearsal for (and after) our gig at The Warehouse…

The setup

Joley takes on the mighty sandpaper boards

 

 

 

 

 

The megs!

Post gig happiness!

Final Two Quick Questions: Ryan Latimer

Better late than never (on the third day of our tour!) here is the fifth and final edition of our two question series. This time it is our Composer-in-association for 2015 Ryan Latimer. His work King is second work of Ryan’s that we have commissioned and performed.
Pick up your tickets now for our gig at the Warehouse tomorrow evening: https://www.eventbrite.co.uk/e/on-off-the-warehouse-tickets-15130043367

WUE: In what way does your piece respond to the ‘On & Off’ theme?

Ryan: The dialecticism suggested in Steen-Anderson’s title is also a common feature of my own work more generally, as it is for many others. I use the term ‘dialectic’ simply because the notions of ‘On And Off And To And Fro’ are not just contrasting ideas but are intrinsically related and relative to one another; they’re connected precisely because of their direct opposition. At the risk of becoming too technical, there are, in many types of music, examples of these binary relationships – tonic/dominant, major/minor, call/response, antecedent/consequence and so on. The majority of my piece playfully brings into contention these various devises and explores their functional (and dysfunctional) properties. However, this isn’t entirely what the piece is about and there’s a small twist in the tale towards the end, which extends this notion beyond the purely musical.

WUE: What music are you into at the moment?

Ryan: A composer friend (I’m not sure how these differ from normal friends) recently recommended to me a book called ‘The Arab Avant-Garde: Music, Politics, Modernity’, which has unveiled to me a seriously exciting wealth of radical music making happening throughout the Middle East. Ranging from heavy metal, hip hop, musical theatre, sound installation, jazz and cross-discipline collaboration, all of this work engages profoundly with the socio-political realities of its home regions, in a way I feel much of western ‘art music’ does not. It’s been quite a liberating experience discovering this stuff; I’d recommend it.

Here is a retrospective exhibition of the work of Egyptian artist and musician Ahmed Basiony, who was killed during the 2011 political uprisings in Cairo:

On and Off and To and Fro Tour 2015

The Workers Union Ensemble met on Saturday and Sunday the 14 and 15th of February for intense tour rehearsals. The weekend was filled with love (naturally- it was Valentines day!), filming, Skyping Mr Steen Andersen, and of course new music.

Here is a video showing what we got up to, and advertises our gig on Saturday the 21st of February at the Warehouse in Waterloo.

Tickets are available to purchase now at: http://bit.ly/1FuNHmG

Enjoy.

WUE

On And Off And To And Fro – WUE 2015 Tour

Featuring Simon Steen-Andersons’ On And Off And To And Fro and new works by Jay Capperauld, Ryan Latimer, Benjamin Oliver, Mic Spencer and Kate Whitley.

Tickets are available to purchase now at: http://bit.ly/1FuNHmG

We look forward to seeing you there.

WUE (with the generous support of Sound and Music’s Composer-Curator Programme for 2014/2015,  funded by the Paul Hamlyn Foundation.)

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ON AND OFF AND TO AND FRO

Workers Union are delighted to announce that we have been selected for Sound and Music’s Composer-Curator Programme for 2014/2015, which is funded by the Paul Hamlyn Foundation.

The Workers Union Ensemble (WUE) present a programme of five new work developed in response to Simon Steen-Andersen’s On And Off And To And Fro (2008) for soprano saxophone, double bass, vibraphone and three players with megaphones. The new pieces might be a direct response to Steen-­Andersen’s piece or could be a more tangential reaction to the title and will be performed alongside On And Off And To And Fro in a mini-­tour of England. The composers featured will include three twentysomething emerging stars Ryan Latimer (WUE Composer ­In ­Association), Kate Whitley and Jay Capperauld (winner of the WUE Heidi Cupp Award 2013) as well as two slightly older heads Benjamin Oliver (conductor of the WUE) and Scottish composer Mic Spencer.